There is The House
(Object of Desire)
There is the house where children used to play
and laughed upon a swing that swung
behind the neighbor’s fence.
Was it not the place that held a memory,
of you and I or maybe only me?
It’s pink, that house that holds a banyan tree,
where flooded streets once bled canoes
upon their gravel tops
like hungry shores, yet a simple place
each number marked where station wagons parked.
Abandoned when you left it back in time,
now hollowed eyes, its windows never see.
There’s no light that warms the glass
no gathered drape against the frosty chill
an entrance beckoned, now it never will.
Oh how I wish to let that old house know.
The one where all the children used to go
they’d march around the benched lanai,
blowing horns at bees who lost their wings
from pulling strings through trees. It was I
who lived there very long ago. Pink house,
don’t you remember when I slept inside
saying prayers each night until I cried?
Was it not that place that held a memory
of you and I or maybe only me?
Author Bio
Carol Lynn Grellas lives in Saratoga California. She attended Santa Clara University, where she was an English and Art major. Her firstChapbook: Litany of Finger Prayers will be released in 2008 from Pudding House Press. Her second Chapbook: Object of Desire will be released this October, from Finishing Line Press. She has an electronic chapbook titled: Desired Things available from Gold Wake Press.
Carol Lynn is a 2008 two time Pushcart Prize nominee and widely published, including most recently: The Oasis Ezine & Online, Las Cruces for Poets & Writers, Munyori Poetry Journal, Words on Paper, The Pregnant Moon Review Moondance, Dogzplot, The Verse Marauder, A Tender Touch, MSU Great Falls Literary Guild: Writings from the River, The Storyteller Magazine, Kingly Blue, Chanterelle's Notebook, The New Mirage Quarterly, Silenced Press, The Hiss Quarterly, Rattlesnake Press and Flutter, Ken*again, Oak Bend Review, Octaves Eight, Eskimopie (SPAM), The Battered Suitcase, The Boston Literary Review, Word Catalyst Magazine, Strong Verse, Crazy Days Anthology, Poet's Ink, Debris Magazine, Mississippi Crow, Poetry Friends, Madswirl, Poet's Letter, Shine, The Ghazal Page, The Lyric Magazine, Lucid Rhythms, Soundzine, Ascent Aspirations Magazine, Ink, Sweat and Tears, Hudson View, Skyline Magazine, The Scruffy Dog Review, Quill and Ink, Motel 58, The Cleave, The Toronto Quarterly, Gold Wake Press Anthology, Poetry Midwest, Thick with Conviction, Poetry for Suzanne, the Smoking Poet, Feathertale, Joyful!, Best Poem, decomP, Ardent!. She has poeems forthcoming in several publications including, Pirene's Fountain, Superficial Flesh, Pudding House # Nine series, Bumbershoot Annual, The Dirty Napkin, The Wilderness House Literary Review, The Coachella Review, The Centrifugal Eye, Breadcrumb Scabs and My Light Magazine
Carol Lynn's first book, I'm Packing Things for Heaven was published in 2007...Her hobbies include, cooking, gardening and dabbling with a paintbrush now and then. She lives with her husband, five children, three parrots and a blind dog named Ginger, who inspire much of her poetry.
Pockets full of you
(I'm Packing Things for Heaven)
If you left me in the Springtime
Then the birds would halt their song
Quelling singing while you’re leaving
To signify how wrong,
If you left me in the Summer
Oh the rivers wouldn’t roll,
With all pebbles parched for moisture
From the babble that you stole.
If you left me in the Autumn
When the leaves begin to turn,
They would stop their color changing
Till the year you might return.
If you left me in the Winter
Then the rain would never fall
For a protest from the Heavens,
As if Angels heard my call.
Yet you left me in the evening,
when the seasons weren’t aware
as a secretive departure
that’s left silence everywhere.
And I feel a sobered sadness
With a chill that’s seeping through,
Each day I wear your overcoat
With pockets full of you.
If you left me in the Springtime
Then the birds would halt their song
Quelling singing while you’re leaving
To signify how wrong,
If you left me in the Summer
Oh the rivers wouldn’t roll,
With all pebbles parched for moisture
From the babble that you stole.
If you left me in the Autumn
When the leaves begin to turn,
They would stop their color changing
Till the year you might return.
If you left me in the Winter
Then the rain would never fall
For a protest from the Heavens,
As if Angels heard my call.
Yet you left me in the evening,
when the seasons weren’t aware
as a secretive departure
that’s left silence everywhere.
And I feel a sobered sadness
With a chill that’s seeping through,
Each day I wear your overcoat
With pockets full of you.


